How do you plan to break the mold of what we know of South African music?
I'm not completely certain of how South African music is perceived, or how well documented it is overseas. Often, if you're a South African abroad and you make this fact known, you'll be questioned about Die Antwoord. If this is our point of reference, I think that the approach is quite different.
In recent years, Civil Twilight, The Parlotones, and BLK JKS, all very different sounding bands have gained some attention here in America but never achieved the massive rise they should have. Do you feel that it is much harder to break it in this country coming from your country?
Even without the visa, exchange, and proximity problems that come with being a South African, America is such a large and competitive country that I'm sure it would be difficult to 'break it' there. I'd imagine that making a name for oneself in South Africa is a bit easier than in America. Maybe ask Rodriguez.
The sound of this band resembles Cape Town itself. It is so unique, fresh, exhilarating, and vibrant. How has the city influenced your work?
I'd like to think that my music is rooted in my experience of Cape Town, and since coming back home that feeling has become stronger. It's very easy to find inspiration in such an unusual, diverse, problematic, and beautiful city.
South Africa is the rainbow nation, and it seems as if John Wizards plays off that idea. You paint a picture in the listeners head with various styles of music. Who are some of your influences?
Groups, and people like: The TPOK Jazz, Batsumi, Monster Voels, Earl Rose, Holy Cross Choir, Nozinja, Television, DJ Clock, Orange Juice, Nick Drake, Girl Talk, Samson Mthombeni & Gazankulu Girls, Paul Simon, The Congo's, Stevie Wonder, Mahlathini & The Mahotella Queens, Brenda Fassie, Harry Belafonte, Todd Matshikiza, etc.
From The Guardian, Complex, and even Pitchfork, critics are praising your work, who do you respond to the acclaim?
It's all very abstract, and difficult to grasp. I'm flattered, but I'd be worried if it were something that I felt very connected to.
After a few years together, writing and recording, what was it like to finally make your debut?
There had been a great sense of anticipation building up to this, and the release of this tension and excitement was a relief. It has been a wonderful, bewildering and memorable time in my life.
The album plays like a cosmic daydream, do you feel this represents you wanting to escape something? If so, what?
The music is not so much an escape, as it is an expression of release. In creating music I experience some of my strongest emotions, and this is what compells me to write.
The story of this band begins around the time of the World Cup in South Africa, it was a magical time for the country but also a magical time for all of you, this is when the band began to form. How did each of you get in contact with one another?
That period has a special feel to it. I had finished university, moved out, and was truly independent for possibly the first time in my life. I met Emmanuel that year, and the band began to take shape, in the form of old friends. A little while later, a friend was kind enough to lend us her families barn to have our first practices in. I have a strong sense of what this life was like.
Singer Emmanuel Nzaramba is a Rwandan refugee who has both Hutu and Tutsi parents, something which led to the wars in 1994. Having this background, has it played a role in his lyrics and story telling?
I can't speak for him, but I do know that themes of lonelyness and longing reccur in Emmanuel's lyric writing. He's is actually back in Rwanda at the moment. It's the first time that he has been there in 15 years, and he has already been writing lyrics and songs about it.
Emmanuel sings in various languages, who came up with the idea to do this?
Much of the music that I listen to isn't sung in a language that I understand, and so it felt natural to encourage Emmanuel to sing in whatever language he felt most comfortable.
You are 25 and Emmanuel is almost 40, is the gap in age a factor when making music?
It's not a consideration. When I first met him, Emmanuel told me he was 30. He's young in both appearnace and demeanour, so it didn't cross my mind that he might be older until I helped him sort his passport out a few months ago. That's when I saw "Date of Birth: 22 January 1974". He has aged quickly in these few years that I've known him.
Being a band that is as diverse as you are, what does music represent to you?
It is a thing without power of representation; with no neccessary relation to the world, yet capable of bearing tremendous joy, sadness, reflection, and solidarity with others.
Being in a band from the part of the world that you hail from and it’s history, do you feel John Wizards now represents all of Africa and not just your country?
Africa has many gifted musicians that represent a vast spectrum of traditions and social changes, who can be placed within and represent many cultural contexts. One of the things that I have encountered a lot since people have begun to ask me about my music, is a tendancy to both oversimplify and politicise African music. Personally, John Wizards represents nothing more than a compulsion to create music and explore my place within South Africa and the rest of the continent.
When can we expect John Wizards in America?
As soon as its a little warmer, hopefully.
John Wizards - Muizenberg from Planet Mu on Vimeo.